It’s a very sensitive topic handled just as sensitively. And all credit for that goes to [ad] filmmaker Asim Raza.
Behadd (Limitless), a romcom telefilm by Hum TV, was premiered at Karachi’s brand new monument Cinepax (at Ocean Mall, Clifton) on Saturday. There was barely anyone in the audience who wasn’t moved by the nicely written script and the brilliant performances.
The plot is incredibly easy to predict, but the beauty of the film is that you still want to watch it. Masooma (Nadia Jamil) is a doting single mother who practically lives for her 15-year-old daughter Maha (Sajjal Ali). Through her job, she is reunited with Jamal (Fawad Khan) the younger brother of her bachpan ki dost and they are both overjoyed. As they catch up over a cup of coffee, Masooma tells Jamal about her husband’s death and Jamal tells her about his failed marriage with an American girl. Masooma takes it upon herself to find a girl for Jamal but eventually he ends up proposing to her. Masooma speaks to Maha, who on the face of it says yes but is deeply distressed by her mother’s decision and, in her insecurity, destroys Masooma and Jamal’s relationship. However, the ending is a happy one – predictably, again – but it is so sweet and so well-executed that even the most cynical audience member cannot help but cheer.
Nadia Jamil is, as expected, excellent in her role. She looks lovely and is perfectly natural as a mother. Her role in Behadd is quite similar to the character she played in Meray Paas Paas (a play by Hum TV circa 2005) but it is a testament to her versatility how differently she has done this role compared to that one. Fawad Khan is about as good and has truly, truly grown as an actor, which we saw in Humsafar and the recently concluded Zindagi Gulzar Hai. It is such a wonderful experience, seeing him on the big screen even if it is not a feature film. I seriously hope that he has some feature films coming up in the pipeline – and hopefully one where he plays the quintessential romantic that he does so well.
While Nadia Jamil is the star of the film, kudos to Sajjal who has done a very nice job as the somewhat spoilt yet perceptive young girl who has grown up having her mother as her one-and-only. Nadia Afgan is also great as Shafaq, Masooma’s best friend from work, and adds a lot of colour with her natural flamboyant style.
What was a surprise for me though is the progressive message of the plot. Behadd is written by Umera Ahmed, of the Shehr-e-Zaat and Zindagi Gulzar Hai fame. I am not a fan of her writing, because I feel that it is full of regressive ideas and sweeping statements, like the girl who wears jeans is the evil one and the one who wraps a dupatta round her head is the good one. In this telefilm, however, she has taken a position in favour of a woman, a mother, marrying again and that too a man younger than her.
All in all, I have little bad to say about the film other than the fact that the plot is utterly predictable. It is heartening to see managers of Hum TV, the television channel that singlehandedly steered us out of the reign of awful Indian [and Pakistani] soaps, taking such an initiative. Moomal Productions’ choice of plots is always interesting, and I think it is great that people with artistic sensibilities like that are now looking towards entering cinema. I am hopeful that the revival of Pakistani cinema is nigh if media professionals like these continue to produce film after feature film.
Verdict: Watch out for it on TV and don’t miss! It’s a really sweet film, which is also very well made. An evening well-spent!